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Sarah M. Abas, ‘M. G. Sanchez: an Interview,’ ES Review 39, 2018, pp. 319-330.
Esterino Adami, ‘La Rocca di Babele: narrazioni e trasformazioni linguistiche in M. G. Sanchez,’ Ritorno a Babele: prove di globalizzazione (Turin: Neos Terrenia, 2013), pp. 71-81.
Esterino Adami, ‘An Interview with Gibraltarian author M. G. Sanchez followed by a review of The Escape Artist,’ Il Tolomeo 13, 2013, pp. 29-36.
Esterino Adami, ‘Recensione di Jonathan Gallardo,’ Il Tolomeo 18, 2016, pp. 233-35.
Esterino Adami, ‘Recensione di Solitude House,’ Il Tolomeo 17, 2015, pp. 185-187.
Esterino Adami, ‘A Passage to Gibraltar: Alterity and Representation in M. G. Sanchez,’ Postcolonial Passages: incursions and excursions across the literatures and cultures in English (Cambridge: Cambridge Scholars Publishing, 2018), pp. 204–214.
Esterino Adami, ‘Text Analysis 2: Extracts from Jonathan Gallardo and Border Control and other Autobiographical Pieces,’ Postcolonial Stylistics (Abingdon: Routledge, 2025), pp. 201-209.
Esterino Adami, ‘Writing the Rock: An e-interview with Mark G. Sanchez and Giordano Durante,’ AISCLI Newsletter 16, 2020, pp. 4-6.
Ilaria Barbuto, ‘Marginality and Resistance in M. G. Sanchez’s Jonathan Gallardo: A Postcolonial Reinterpretation of Gibraltar,’ Margins/Marges/Margini, 3, 2025, pp. 139–157.
Christine Berberich, ‘Review of Gooseman,’ Wasafiri 111:3, 2022, pp. 116–118.
Isabel Alonso Breto, ‘Review of Border Control and other Autobiographical Pieces,’ Complutense Journal of English Studies 28, 2020, pp. 229-231.
Isabel Alonso Breto, ‘Somewhere between the Colonial and the Postcolonial: An Interview with Gibraltarian Author M. G. Sanchez,’ Ariel: A Review of International English Literature 52:3, 2021, pp. 249-261.
Isabel Alonso Breto. ‘Gibraltarian Border Dialogues and Beyond: A Journal on M. G. Sanchez’s Bombay Journal,’ Mediterranean Dialogues: Transdisciplinary Journeys Across Cultures, Languages and the Arts for a Partnership Future (Udine: Forum Editrice Universitaria Udinese, 2025), pp. 15-26.
Isabel Alonso Breto, 'Review of Lowlife Tales', Nexus 16: 2, 2025. pp. 111-113.
Rebecca Gabay, ‘M. G. Sanchez’s Bombay Journal: Redressing the Past from the Colonial Present,’ Kervan International Journal of Afro-Asiatic Studies 22, 2018, pp. 291-294.
Amanda Gerke, ‘Discursive Boundaries: Code-Switching as Representative of Gibraltarian Identity Construction in M. G. Sanchez’s Rock Black,’ Miscelánea 57, 2018, pp. 35-57.
Ina Habermann, ‘British-European Entanglements: M. G. Sanchez’s The Escape Artist and the Case of Gibraltar,’ Journal for Literary and Intermedial Crossings 2, 2018, pp. b1-20.
Ina Habermann, ‘Gibraltarian Hauntologies: Spectres of Colonialism in the Fiction of M. G. Sanchez,’ Open Library of Humanities 6:1, 2020, p.19.
Ana María Manzanas Calvo, ‘The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing,’ ES Review 38, 2017, pp. 27-45.
Alastair Niven, ‘Celebrating an Abundance, 1984–2019: Thirty-five Literary Highlights from Aotearoa to Zimbabwe,’ Wasafiri 34, 2019, pp. 133-138.
Robert Patrick Newcomb, ‘Review of Border Control and Other Autobiographical Pieces,’ International Journal of Iberian Studies 33:1, 2020, pp. 107-108.
Robert Patrick Newcomb, ‘Review of Gooseman,’ Hispania, 104:4, 2021, pp. 750-751.
Tijana Parezanović, ‘Liminally Anglophone Wor(l)ds: M. G. Sanchez’s Gibraltarian Stories,’ Belgrade English Language and Literature Studies, 16, 2024, pp. 383-398.
M. G. Sanchez, ‘Dialoguing with the Ghosts of the Past: Engaging with Gibraltarian history in the novels Jonathan Gallardo and Marlboro Man,’ Proceedings of the Thirteenth International Conference at the Faculty of Foreign Languages at Alfa BK University, 2024, pp. 37-63.
Elena Seoane, ‘Telling the true Gibraltarian Story: an interview with Gibraltarian writer M. G. Sanchez,’ Alicante Journal of English Studies 29, 2016, pp. 251-258
John A. Stotesbury, ‘Mediterranean Gothic: M. G. Sanchez’s Gibraltar Fiction in its Context,’ British and American Studies 21, 2016, pp. 156-172.